As Contessa Almaviva in Le Nozze di Figaro with The Bay View Music Festival:

"He is countered though by a formidable Countess, Erin M. Smith, who matches him word for word and song for song. Smith sings both of her arias "Porgi, Amor" and the beloved "Dove Sono" with a rich and beautiful voice. Her aristocratic air gives the opera's final moments sense and meaning with her understanding and forgiveness"



Mary Jane Doerr, Petoskey News-Review

As Pamina in The Magic Flute with MetroWest Opera:

"Erin Smith’s voice sparkled with beauty in her portrayal of Pamina"

Erin Huelskamp, Boston Lowbrow

As the Vixen in The Cunning Little Vixen with Boston Opera Collaborative:

"...she has solid sopranos in her leads, Erin M. Smith and Natalie Polito - and Ms. Smith, it turns out, is also a stylish actress."

Thomas Garvey, The Hub Review

As the soprano soloist for David Biedenbender's "Winter Sunset" with The Boston New Music Initiative:

"Soprano Erin Smith rendered the text with a lovely, ringing voice."

Aaron Keebaugh, Boston Classical Review

Over this texture soprano Erin Smith floated fragments of poetry by Rumi, leading the ensemble toward a more rhapsodic texture - See more at: http://bostonclassicalreview.com/2014/04/sokol-and-jacobs-works-fare-best-in-boston-new-music-initiative-season-finale/#sthash.PIUSbVgr.dpuf

As the soprano soloist for Emily Cooley's Lifted with The Boston New Music Initiative

"Over this texture soprano Erin Smith floated fragments of poetry by Rumi, leading the ensemble toward a more rhapsodic texture"

Over this texture soprano Erin Smith floated fragments of poetry by Rumi, leading the ensemble toward a more rhapsodic texture - See more at: http://bostonclassicalreview.com/2014/04/sokol-and-jacobs-works-fare-best-in-boston-new-music-initiative-season-finale/#sthash.PIUSbVgr.dpuf

Over this texture soprano Erin Smith floated fragments of poetry by Rumi, leading the ensemble toward a more rhapsodic texture - See more at: http://bostonclassicalreview.com/2014/04/sokol-and-jacobs-works-fare-best-in-boston-new-music-initiative-season-finale/#sthash.PIUSbVgr.dpuf

Stephanie Lubkowski, Boston Classical Review